Notice: WP_Scripts::localize was called incorrectly. The $l10n parameter must be an array. To pass arbitrary data to scripts, use the wp_add_inline_script() function instead. Please see Debugging in WordPress for more information. (This message was added in version 5.7.0.) in /nas/content/live/asaihq/wp-includes/functions.php on line 5313

Artists Alert: The Return of Orphan Works Part 2 – ARTISTS’ LETTERS

July 21, 2015

Two weeks ago, we warned that Congress is drafting a new US Copyright Act.

The new recommendations would resurrect the failed Orphan Works Act of 2008. But there are new proposals that go far beyond Orphan Works.

The Copyright Office says that these artists’ issues are also “ripe” for legislation: copyright small claims, resale royalties, and other forms of secondary licensing which most artists have never heard of.
Many of you have already written. We hope many more will do the same.

Therefore we’re asking all artists concerned with retaining the rights to their work to join us in writing.


The deadline is THURSDAY: July 23, 2015
American Artists can submit letters online to the Copyright Office HERE.

Non-U.S. artists can email their letters to the attention of:
     Catherine Rowland
Senior Advisor to the Register of Copyrights
U.S. Copyright Office
     crowland@loc.gov

Read the Copyright Office Notice of Inquiry.
Read the 2015 Orphan Works and Mass Digitization Report.

Join us and send your letter TODAY!


Please write the Copyright Office

Because of our past opposition to orphan works legislation, the Copyright Office has issued a special Notice of Inquiry on Visual Works. In it, they acknowledge that visual artists face special problems in the marketplace and they’ve asked artists to respond to five questions:

  1. What are the most significant challenges related to monetizing and/or licensing photographs, graphic artworks, and/or illustrations?
  2. What are the most significant enforcement challenges for photographers, graphic artists, and/or illustrators?
  3. What are the most significant registration challenges for photographers, graphic artists, and/or illustrators?
  4. What are the most significant challenges or frustrations for those who wish to make legal use of photographs, graphic art works, and/or illustrations?
  5. What other issues or challenges should the Office be aware of regarding photographs, graphic artworks, and/or illustrations under the Copyright Act?

And we might suggest a 6th question of our own:
6. What are the most significant challenges artists would face if these new copyright proposals become law?

Since most artists have never written to lawmakers before, many of you have asked us for sample letters.

Eight artists have provided their letters to inspire you to write. The letters are poignant examples written respectfully by artists telling their own unique story about their experience and concerns:

Letter 1: Brad Holland’s, which is a very deep primer on these issues, and well worth reading, and adapting points as need be; he has written a legal article for the Columbia Law Journal, among other writings; “I’m writing to stress that for me, and for artists like me, copyright law is not an abstract legal issue. Our copyrights are our assets. Licensing them is how we make our livings.” Read more.

Letter 2: Ken Dubrowski, from the Boston area, who was one of the Founders of IPA; “As a freelance illustrator, I need to maintain revenue streams in order to make a living for my family. The resale of my past images is part of my day to day way of doing business.”  Read more.

Letter 3:  Keith Ferris, who is the founder of the Aviation Artists group; “My art is reasonably well known since it has served the advertising, editorial, public relations and historical documentation needs of the aerospace industry, publications, the military services and air and space museums for 68 years.” Read more.

Letter 4: “I am writing to you as an award winning professional illustrator of over 40 years whose work has appeared in many major publications, books and advertisements, both nationally and internationally.”
Read more.

Letter 5: “I have been a professional medical illustrator since 1975, and self-employed since 1981. During the course of my career, I have created thousands of illustrations…” Read more.

Letter 6: “Copyright is the basis of my income and ability to support my business. It is the only way I have to protect the accuracy and integrity of my work, and to negotiate an appropriate fee for re-licensing.” Read more.

Letter 7: “My specialty area is fetal development and women’s health illustration…The protection of these images is of utmost importance to my livelihood, and I have struggled to fight the rampant piracy of them, especially by political groups.” Read more.

Letter 8: Cynthia Turner, Co-President of ASIP, and deeply learned on copyright matters; her letter might also be adapted. “I am writing to ask that you create policy to protect visual authors and their exclusive rights, and support a sustainable environment for professional authorship. Read more.

Remember no one is asking you to write a legal brief. Copyright law is a business law, and the lawyers writing these laws know little or nothing about our business.

Let’s explain to them how the laws they’re writing will affect us.

– Brad Holland and Cynthia Turner for the Board of the Illustrators’ Partnership

Please post or forward this artist alert to any interested party

Click here


1Receive Artist Alerts from Illustrators Partnerships

Updates for visual artists on copyright reform and
2015 Orphan Works draft legislation

SIGN UP HERE